Hello Introduction

Thank you very much for visitin Jyoji Kubo's blog

Jyoji Kubo, is a contemporary artist from Japan.

JKUBO.COM/en is Jyoji's official website

This web blog diary is updated by his family, due to his busy scuedules

first, we would like to thank you all who worked hard to make this artshow happen

Japanese artist Yasunari Nakagomi introduced Jyoji to LA Artcore in Los Angeles, which is a non-profit organization that helps to develop the careers of the artists and brings contemporary art to the public.

We had first Cross culture exchange show between USA to Japan in 2007, and we were able to meet wonderful artists and experienced different art culture between two countries.

This coming show in May 2008 is first Tandem solo show in the USA.

Yasunari Nakagomi, and LA Artcore members are being wonderful help for us, and finally we were able to open such a wonderful show.

Coming from outside of USA, and not being able to speak English, it is very difficult for Jyoji to speak and communitace.

But, Jyoji's goal and hope is to communicate throught his artworks.

On May 11th, sunday, Opening Reception for the current art show will be held

Please come and enjoy the artwork, with wine and sushi.

Thank you for very much for your support.

contact - jyojikubo@gmail.com


Introduction by LA Artcore executive director, Lydia Takeshita ------------

Growing up in Japan, sculptor Jyoji Kubo, states that since he was a child he loved making art, and that this was not taught but innate. As Kubo’s developed as an artist and through his studies in Japan and Spain, his goal has become to evoke or make visible our connection to others, and the qualities that link us together and with the universe. Kubo’s forms, which are made out of washi-paper, seem primal and futuristic at the same time. Although unique in shape they bring to mind, missiles, cocoons, and larvae. Important concepts in his work are ones of floatation and gravity; as Kubo states they express “the massive cosmic world and human beings” and their place within the cosmos. Using long branches as connectors, Kobu’s modular sculptures can be lifted to great heights by the wood extensions, or linked to the earth by the downward pull of gravity. His modular works are composed of four quarters, which can be divided between the wall, the floor, or balanced up high. Thus in their fluidity they take up different identities in new spaces, and myriad possibilities for renewal are present in each sculpture.